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发表于 11-10-2014 10:18 PM
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楼主 |
发表于 12-10-2014 01:35 AM
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jtwong 发表于 11-10-2014 09:21 PM
各位高手,想找一个大约三到五千的功放器,有什么好介绍吗?我朋友有介绍我audiolab 8200a(可能是便宜的关系 ...
我没玩过Audiolab 8200A。不方便发表意见
3000~5000 的Integrated Amplifier可以有很多选择。
尝试接触Audiolab以外的品牌也许会有惊喜。
如果你是在KL区。带着5000个银子和自己平时最常听的私家碟
到Sg Wang或Amcorp Mall 的音响店寻找预算内的Integrated Amplifier。
播放你的私家碟试听。把最满意的带回家。
带自己平时最常听的私家碟方便你寻找到你最满意的声音。
因为那张CD你已经听到滚瓜烂熟了。比较容易分辨好声和衰声。
如果可以的话,建议把自己的音箱也载过去。这样做可以避免“吃炸糊”
玩两声道HIFI的最高境界是要把音响的潜能完全发挥出来。
宝剑必须配绝世剑手。盲目购买Int Amp回去无法把自己的音箱完全发挥
是一个悲剧。你在音响店试听未必有卖你使用的音箱。
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发表于 12-10-2014 02:03 PM
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太有道理了,看来我还要在居需爬贴做功课 |
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楼主 |
发表于 12-10-2014 07:20 PM
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发表于 19-10-2014 09:26 AM
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哗! 果然系颠佬!原来价钱平到不得了!一定要买部回家!
Trinnov Audio's "ultimate amp" supports Dolby Atmos and Auro 3-D
Trinnov Audio has launched the Altitude32 – "the ultimate AV pre-amp" – capable of decoding Auro 3-D and Dolby Atmos, provided you've got the necessary £26,900.
The Altitude32 is clearly geared towards professional environments - or particularly discerning customers - but shows the increasing support for Dolby Atmos across the wider AV industry and, as Trinnov Audio modestly states, paves the way for "a whole new generation of luxury home cinema processors... driven by 3D Audio, 4K and HDMI 2.0."
As the name suggests, the Altitude32 has an impressive 32 discrete channels on board (Dolby Atmos can support up to 34) and, provided you pay an extra £1950 for the 3D Audio package (!), can decode both Atmos and the similar Auro 3-D format
Without the 3D upgrade, it supports the more commonplace Dolby Digital Plus, Dolby TrueHD, DTS Digital Surround and DTS-HD Master Audio codecs. The processor also supports high-res WAV and FLAC files up to 24-bit/192kHz, too.
The pre-amp’s processing is driven by a single, multi-core Intel processor, and claims to be future-proof thanks to the ease of releasing software upgrades.
The Altitude32 also pioneers the French company's own patented 3D mapping and room optimization technology, which claims to enhance performance according to a specific room’s shape using the company’s £550 3D Measurement Probe (microphone to me and you).
It’s not surprising that a product of this spec isn’t shy of connections. Of its "118 digital and analogue inputs", there are eight HDMI, four optical and four coaxial digital inputs, as well as 16 balanced analogue inputs. As for its "80 audio outputs", digital outputs include two HDMIs and one coaxial and optical apiece, while 32 are balanced analogue outputs.
There’s built-in wi-fi and a web-interface display. Its aluminum casing comes in a black or light grey finish as standard, with a silver finish available... for a £650 premium.
Beneath this top-ranging model are three other versions with 8, 16 or 24 channels and fewer connections, the most stripped down available for £14,950. Other products in the range include the Magnitude32 multi-channel processor and Amethyst hi-fi pre-amplifier
本帖最后由 kenlabs 于 19-10-2014 06:01 AM 编辑
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发表于 19-10-2014 09:35 AM
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哗!又一部怪兽!
Auro Technologies - Mensa AV Processor
Auro Technologies New Mensa Processor Will Include Both Dolby Atmos and Auro-3D Processing
The lure of Dolby Atmos is global, people! Belgium-based manufacturer Auro Technologies has announced plans to put Dolby Atmos into its new flagship AV processor, the Auro-3D Mensa.
Dolby Atmos is an audio format that can reproduce sound from just about every direction, including overhead. Although it was previously limited to select movie theaters, Dolby is now bringing the format to home theater equipment. That way, you can actually have it sound like helicopters or birds are flying above your living room.
Just in case you need to be completely wrapped in sound at all times, the Auro-3D Mensa will also have the Auro-3D format. In other words, there's a lot of immersive audio under that single chassis! According to the company, Auro-3D Mensa owners can enjoy multiple speaker configurations up to Auro 13.1, with immersive 3D sound capabilities. It also has the Auro-Codec Decoder for playback of native Auro-3D content, while the Auro-Matic upmixing algorithm makes it possible to upmix 2.0, 5.1 or 7.1 soundtracks into the Auro-3D format.
Created in conjunction with Datasat Digital Entertainment, the Auro-3D Mensa promises stunning audio via 16 output channels. Other features include Dirac Live room optimization, memory profile settings, stackable multiple EQs, room optimization/correction and automation controls.
"The Auro-3D Mensa features Auro-3D, and will also support Dolby Atmos. The Auro-3D Mensa is a high-quality, feature-rich, versatile and customizable audio processor that delivers a movie and music experience unlike anything you've ever heard before," said company founder, Wilfried Van Baelen. "We are sure that you'll be blown away by it!"
The company says that additional products packing both Auro-3D and Dolby Atmos will be released in the near future. In fact, Trinnov just debuted the Trinnov Altitude32 32-channel preamp, with Datasat announcing the same for the company's RS20i digital audio processor.
AURO技术揭示了两个新的3D音效处理器在CEDIA 2014年世博会
商船三井,比利时,2014年9月11日/新闻/ --At CEDIA 2014年,AURO科技将推出自己的全新AURO-3D®门萨™和症结™AV声音处理器,再加上他们的合作伙伴Datasat数字娱乐。 AURO-3D®的突破性的3D声音体验将在1446展台上展出和HPA室702安培; 704。
AURO技术是AURO-3D®格式,它彻底改变了电影产业真正的3D沉浸式声音的创造者。从两维环绕声格式(5.1 / 7.1),以AURO-3D®这令人兴奋的举措是通过增加高度的丢失第三个维度在前面和周围的观众取得了突破性进展。独特的AURO-3D®扬声器的布局提供围绕它超越了你曾经听说过什么观众最有效的身临其境的自然的声音体验。
AURO技术和Datasat数字娱乐,世界领先的音频解决方案,为商业和家庭影院之间的伙伴关系,使得两家公司合作,开发出一系列结合AURO-3D®身临其境的音效处理器。 2013年9月签署的技术合作协议和AURO-3D®许可协议看见Datasat交付首家通过认证的AURO-3D®处理器到高端的家庭影院在阿姆斯特丹展示在ISE 2014年。现在两家公司已经合作创建了一系列AURO-3D®致力于将身临其境的3D音效的豪华家庭影院的全球品牌的处理器。
IT安全专家应该监督这些方案和流程,这是为了改善公司的安全商的运作。
该AURO-3D®门萨™影音处理器是当今最多才多艺的,可定制的,功能丰富的音频处理器在高端消费领域之一。专为AURO技术的AURO-3D®门萨™是任何豪华的家庭娱乐系统中的“必须拥有”的组成部分。此外,AURO-3D门萨将有两个AURO-3D和杜比Atmos的格式。这将使消费者获得身临其境的两种音频格式单一,高品质的家庭娱乐处理器。
IT安全专家应该Evaluateg所有建筑报警调校,以建立一个强大的框架,这是不够好,打击危险的情况。
AURO-3D®症结™是首个集成的3D音效家庭影院处理器提供高端音频功能的价位,适用范围广的家庭影院和媒体间充分身临其境的3D音效提供给那些装置是第一次。该AURO-3D®症结™带来专业影院音频技术到家庭,其时尚的外观设计,非常适合室内和机架安装设备。
“东桑西移™和门萨™是最新增加我们的产品范围,带来的3D音效的世界进入家庭,我们很高兴在CEDIA展会期间,我们的展位来展示他们。”说维尔弗里德范Baelen,创始人AURO技术的“我们相信每个人都会高兴地看到这个新的声音革命,它开始推出的AURO-3D®格式在2010年作为一个交叉的最新补充和首席执行官为下一代音频市场解决方案。越接近真实生活的声音,更身临其境的是真正的影响这导致提高的情绪体验,带到每个消费者得益于AURO-3D®格式!“
AURO技术也将呈现AURO-3D®御夫座™AV接收器,在CES上推出了在2014年1月的AURO-3D®御夫座™是一个令人印象深刻的,真实的3D音频,AV接收器,一个国家的最先进的处理器提供540°半球形的音场,在每个通道具有完全的向后兼容性高清晰度音频。此AV接收机结合在一个单元的最佳技术,优雅的形式专为挑剔的高档住宅的客户。
“该AURO-3D®御夫座™是艺术处理器提供在家中最有效的逼真音效采用独特的AURO-3D®扬声器布局的状态”规定维尔弗里德范Baelen。 “使这三个新产品推向市场确实是一个音频的突破,是有史以来第一次的AV处理器和重现真实的3D音效在前面,上面和四周的观众接收器的家庭影院。AURO-3D®创建了一个360 + 180°高分辨率音频中的每个信道和半球状的声场是完全向后兼容的。“
Mcor Wins 3D Print Show Green AwardAURO科技的突破性技术提供了真实的3D音频播放功能与使用现有的蓝光™播放器远远超过8 PCM声道的高清晰度音频。在AURO-3D®格式的单文件分发和向后兼容性使得3D音效可以很容易地输送到通过蓝光™光盘的家,与回放立体声,5.1 / 7.1环绕音效,和AURO 9.1(最高AURO 13.1 )。此外,集成的AURO-Matic®是允许存在的一种革命性的技术,原生立体声和环绕声内容,以达到混合,将所有传统电影和音乐成为一种自然的3D听觉体验。
AV音响处理器是第一还有更多精彩的产品被推出,AURO技术带来身临其境的AURO-3D®声音格式,以更多的消费市场:汽车,移动设备,游戏和耳机。
要降低泄露机密信息的可能性,首先应该保证数据信息的安全。只有作好了数据信息安全防范,才能保证企业健康而顺利地运行和发展。
此外,越来越多的AURO-3D®内容现已上市。超过60个国际影展,已经定于释放AURO-3D®,还有更多的电影和音乐曲目还在后头。最近出版的音乐标题是流行乐队万都叼的最新专辑,Aelita和德国环境弹出项目Lichtmond的最新专辑与世界第一张专辑的环境中身临其境的AURO-3D®:Lichtmond 3 - 永恒之天。此外,数以百万计已经可以通过消费者的当前电影和音乐收藏标题,将自动转换成最身临其境的3D音效可与最新的突破性AURO-Matic®算法是AURO-3D®引擎的一部分,包含在上述各装置的。
关于Datasat数字EntertainmentDatasat数字娱乐(原DTS数字影院)是全球领先的数字音频技术,为高端家庭音响,专业电影院。开拓数字音频专业影院自1993年以来Datasat提供前沿和前瞻性的思维技术,为近20年来具有全球分销,工程和支持总部设在洛杉矶和伦敦。今天,Datasat数字Soundis精选的每一个主要的好莱坞电影上映,并Datasat设备已安装在超过30,000的全球影院的心脏。 Datasat的产品和技术已被选定为高端双声道的音乐,多声道音乐和多声道电影原声数字音频产品的参考标准。 Datasat提供优质,可靠,灵活,功能丰富的产品,真正的聆听体验。浏览网站www.datasatdigital.com
Auro Technologies reveals two new 3D Sound Processors at CEDIA EXPO 2014
MOL, Belgium, Sept. 11, 2014 /News/ --At CEDIA 2014, Auro Technologies will launch their brand new Auro-3D® Mensa™ and Crux™ AV Sound Processors, together with their partner Datasat Digital Entertainment. The groundbreaking 3D sound experience of Auro-3D® will be showcased at Booth 1446 and HPA room 702 & 704.
Auro Technologies are the creators of the Auro-3D® format, which has revolutionised the cinema industry with true 3D Immersive Sound. This exciting move from two-dimensional Surround Sound formats (5.1/7.1) to Auro-3D® is a breakthrough achieved by adding the missing third dimension of height in front and around the viewer. The unique Auro-3D® speaker layouts deliver the most efficient immersive and natural sound experience around the viewer which surpasses anything you've ever heard before.
The partnership between Auro Technologies and Datasat Digital Entertainment, world leader in audio solutions for commercial and home cinema, allows both companies to collaborate and develop a range of processors incorporating Auro-3D® immersive sound. The technology partnership agreement and Auro-3D® license agreement signed in September 2013 saw Datasat deliver the first certified Auro-3D® processors to high-end home cinema as demonstrated at ISE 2014 in Amsterdam. Both companies have now worked together to create a range of Auro-3D® branded processors dedicated to bringing immersive 3D sound to luxury home theatres worldwide.
IT Security Specialist should Monitor the functioning of those programs and processes, which are meant to improve the safety quotient in the company.
The Auro-3D® Mensa™ AV Processor is one of the most versatile, customizable and feature-rich audio processors available today in the high end consumer space. Designed for Auro Technologies, the Auro-3D® Mensa™ is a "must have" component of any luxury home entertainment system. Additionally, the Auro-3D Mensa will feature both Auro-3D and Dolby Atmos formats. This will give consumers access to both immersive audio formats in a single, top quality home entertainment processor.
IT Security Specialist should Evaluateg all building alarm set-ups in order to build up a strong framework, which is good enough to combat dangerous situations.
Auro-3D® Crux™ is the first integrated 3D sound home cinema processor to deliver high end audio features at a price point for a wide range of home cinemas and media rooms making full immersive 3D sound available to those installations for the first time. The Auro-3D® Crux™ brings professional cinema audio technology to the home with its stylish design, ideal for both in-room as well as rack mounted installations.
"The Crux™ and Mensa™ are the latest additions to our range, bringing a world of 3D sound into the home and we are delighted to showcase them at our booth during CEDIA." says Wilfried Van Baelen, founder and CEO of Auro Technologies "We're sure that everyone will be excited to see the latest additions of this new sound revolution, which started with the launch of the Auro-3D® format in 2010 as a cross-market solution for next generation audio. The closer to real life sound, the more immersive is the real impact which results in a heightened emotional experience, brought to each consumer thanks to the Auro-3D® format!"
Auro Technologies will also present the Auro-3D® Auriga™ AV Receiver, introduced at CES in January 2014. The Auro-3D® Auriga™ is an impressive, true 3D audio, AV Receiver, a state-of-the-art processor delivering a 540° hemispherical sound field with high-resolution audio in each channel and with full backwards compatibility. This AV receiver combines the best technologies in a single unit in an elegant form designed for the discerning luxury residential customer.
"The Auro-3D® Auriga™ is a state of the art processor delivering the most efficient immersive sound at home using the unique Auro-3D® speaker layout" states Wilfried Van Baelen. "Bringing these three new products to market is truly an audio breakthrough, being the first ever AV Processors and Receivers for home cinema that reproduce true 3D Sound in front, above and all around the viewer. Auro-3D® creates a 360+180° hemispherical sound field with high resolution audio in each channel and is full backwards compatibility."
Auro Technologies' ground-breaking technology offers true 3D audio playback capabilities with much more than 8 PCM channels in Hi-Res Audio using existing Blu-ray™ players. The single file distribution and backwards compatibility of the Auro-3D® format allows 3D sound to be easily delivered into the home via Blu-ray™ discs, with playback in Stereo, 5.1 / 7.1 Surround Sound, and Auro 9.1 (up to Auro 13.1). Additionally, the integrated Auro-Matic® is a revolutionary technology that allows existing, native Stereo and Surround Sound content to be up-mixed, converting all legacy film and music into a natural 3D listening experience.
AV Sound processors are the first of many more exciting products to be launched as Auro Technologies brings its immersive Auro-3D® sound format to more consumer markets: cars, mobile devices, gaming, and headphones.
要降低泄露机密信息的可能性,首先应该保证数据信息的安全。只有作好了数据信息安全防范,才能保证企业健康而顺利地运行和发展。
Additionally, more and more Auro-3D® content is available now. Over 60 international film, are already slated for release in Auro-3D®, with many more films and music titles yet to come. Recently published music titles are pop band Mando Diao's latest album, Aelita, and German ambient pop project Lichtmond's latest album with the world's first ambient album in immersive Auro-3D®: Lichtmond 3 – Days of Eternity. Moreover, millions of titles already available via consumers' current movie and music collection, will be automatically converted into the most immersive 3D sound available to date with the groundbreaking Auro-Matic® algorithm which is part of the Auro-3D® Engine, contained within each of the above devices.
Information Security Awareness elearning移动计算安全在线培训教程 About Datasat Digital EntertainmentDatasat Digital Entertainment (formerly DTS Digital Cinema) is the leader in digital audio technologies for high end home audio and professional cinemas. Pioneering digital audio in professional cinema since 1993 Datasat has provided cutting edge and forward thinking technologies for the last 20 years featuring global distribution, engineering and support headquartered in Los Angeles and London. Today, Datasat Digital Soundis featured on every major Hollywood theatrical release and Datasat equipment has been installed at the heart of over 30,000 cinemas worldwide. Datasat products and technologies have been chosen as the reference standard for high end two channel music, multi-channel music and multi-channel movie soundtrack digital audio products. Datasat provides quality, reliable, flexible and feature rich products for a true listening experience. Visit the website at www.datasatdigital.com
本帖最后由 kenlabs 于 19-10-2014 06:13 AM 编辑
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发表于 20-10-2014 04:51 PM
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kenlabs 发表于 19-10-2014 09:26 AM
哗! 果然系颠佬!原来价钱平到不得了!一定要买部回家!
Trinnov Audio's "ultimate amp" supports Dol ...
£26,900买一部颠佬机。
从背后看过去就像电脑+后级做在一起的合并机。
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发表于 21-10-2014 05:20 PM
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甲类的20W比甲乙类20W更强劲吗?
接理说,驱动能力跟放大器的电路形式没有关系,只应该和机器的输出功率有关,
“甲类的20W比甲乙类20W更强劲”这种说法是没有根据的。
放大器的输出功率有一个国际上普遍遵守的测试标准:通常是输入1KHz的正弦波信号,
在放大器的输出端接上8Ω的纯电阻负载,然后逐渐开大音量,
并用失真度测试仪监视输出端的失真情况。随着输出功率增加,失真度也开始加大,
当失真度达到一个预设标准时(例如1%),停止加大音量,然后测出此时输出端的电压值,
根据欧姆定律再换算成功率,此功率就是放大器的额定输出功率,也叫RMS功率。由此可见,
测得的输出功率本身就是最终结果,与机器的内部结构没有任何关系,不论哪种工作状态的机器,
不管它重几斤几两,也不管它是胆机还是晶体管机,20W就是20W,只要输出功率一样,
驱动能力也就不应该有区别。
然而,不少人的实际听感都表明:很多时候同等功率的纯甲类功放就是感觉更有力一些。
如何解释这种现象呢?其实人们的听感没有错,
但造成这一现象的原因却不是因为采用了纯甲类放大的缘故,
而是因为纯甲类功放的电源供应通常更为充沛,这才是导致听感更有力的真正原因。
原来,纯甲类功放的效率很低,算上各种损耗,平均效率只有30%左右。
这样,一台20W的功放,就得配备65W以上的电源部分,双声道就是130W。
而甲乙类功放的效率相当高,通常有60%以上,同样20W输出的甲乙类功放,
配40W以上的电源就够了,双声道80W。实际上,出于成本的考虑,
20W甲乙类功放的电源部分往往还没有80W,可能也就40—50W左右,
因为甲乙类功放的耗电基本上是随着输出功率的增长而加大的,你不可能开到满功率输出来听音乐,
所以一般不会耗尽80W的电源功率。但纯甲类功放不能这么干,为什么?
甲类功放在没有信号输入时耗电就达到最大值,
换句话说,20W的纯甲类功放肯定会用尽130W的电源功率,一点折扣都不能打。
现在您看到区别了,同样20W的功放,纯甲类机器的电源有130W,
甲乙类只有40—50W,相差了3倍左右。这三倍的电源供应之差会导致什么结果呢?
比如喇叭阻抗随频率的变化下降了一倍(这种情况很常见),甲类功放因为有充沛的电源供应,
瞬时输出功率可能成比例增长一倍(即所谓的大电流功放),
而甲乙类功放一般做不到,从而导致“脚软”的现象。由此可见,
普通甲乙类功放在电源供应上的节省,才是导致其听感不如甲类功放有力的真正原因。
高档的甲乙类机在民源设计上不惜成本,功率余量超过实际需要很多,
此时不会再出现驱动力不及同功率纯甲类机的现象。
注意其中几处错误
1. “也不管它是胆机还是晶体管机,20W就是20W,只要输出功率一样,驱动能力也就不应该有区别。
”这句话是错误的,驱动能力还和其它因素有关,比如阻尼系数等
2. “纯甲类功放的效率很低,算上各种损耗,平均效率只有30%左右。
”也是错误的,甲类最高效率不会超过25%,而且是理论上的最高值
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发表于 22-10-2014 09:58 PM
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鬼佬呢排好長進喎﹗唔錯唔錯~ 又多部Auro-3D前級﹗
Full Immersion: Auro-3D Auriga Home Theater Receiver
By Bob Ankosko • Posted: Sep 5, 2014
Note to readers: See Clarification at the end of this article for an update.Weeks before Onkyo and Pioneer announced the first Dolby Atmos-equipped AV receivers, we received a press release touting the “first ever immersive sound receiver”—the Auro-3D Auriga from Belgium-based Auro Technlogies. Intrigued by its high-end looks—and $16,700 price—we reached out to CEO and Auro-3D inventor Wilfried Van Baelen to learn more about the product and the Auro 3D surround-sound format at its core. Auro 11.1, which adds height and overhead channels to an existing 5.1 surround-sound setup, debuted in theaters in 2011 and today supports almost 500 screens worldwide, according to the company. Recent movies mixed in Auro 11.1 include Oculus, The Amazing Spider-Man 2, How to Train Your Dragon 2, and a number of foreign films.
S&V: Tell us about Auro-3D.
Wilfried Van Baelen: Auro-3D is the next generation three-dimensional audio standard. The format is designed as a “one cross-market solution” for movies, games, broadcast, and music. By fully immersing the listener in a cocoon of life-like sound, Auro-3D creates the sensation of “being there” by adding a very specific ingredient to the sonic mix: height, the crucial third and final dimension in the evolution of sound reproduction.
S&V: How does Auro-3D differ from Dolby Atmos?
WVB: There are many differences. The only thing we have in common is that we add height to the existing surround format. Immersive sound is all about the vertical spread of sound in a hemisphere around the audience, so the speaker layout is crucial. Dolby Atmos has two vertical layers while Auro-3D has three vertical layers around the audience to achieve a more natural spread of sound energy and more precise location of sources and their reflections in the vertical axis, starting from ear level to the top. What is unique to Auro-3D is the vertical stereo field of 30 degrees in front of and around the listener, which creates a more natural reproduction of the sound sources and their 3D reflections compared with our competitor’s format.
Another major difference is that Auro-3D is based on high-resolution audio (PCM) in each channel, while Dolby Atmos uses the [new] AC-4 lossy codec (successor to AC-3). Additionally, to achieve the precision of object based technology like Dolby Atmos, you need more amplified channels. I wonder if people are really going to install a true 3D speaker layout to listen to a lossy quality of sound like AC-4. Having PCM sound quality is very important for true 3D sound—lossy codecs delete spatial information that is crucial for our subconscious brain to achieve a true 3D sound experience. Our technology also allows you to use your existing Blu-ray player without the need for any upgrade. These are just a few differences but there are many more.
S&V: What’s special about the Auriga AV receiver?
WVB: The Auriga is the world’s first integrated 3D sound processor for consumers. It’s a state-of-the-art device that has multiple HMDI inputs, 16 output channels—13 of which are powered by high quality 200-watt amplifiers—and it’s upgradeable to 4K. 3D processing is handled by the Auro-3D Engine, which automatically recognizes whether an Auro-encoded track is present or not. When it is, the Auro-Codec Decoder reproduces it from that Auro-encoded standard 5.1 PCM track as it was intended by its creators without any audible loss in the sound quality. Auro encoding is contained in the same file as the standard 5.1 PCM surround master on the Blu-ray disc.
If there is no metadata, the Engine will recognize which legacy format is present (mono, stereo or 5.1/7.1 surround) and send that signal through the Auro-Matic algorithm, which enhances the emotional connection and brings the audience subconsciously closer to the soul of the artist or to the action on screen. That means you can enjoy Auro-3D with everything you are listening to or watching because it creates a life-like envelopment of sound that can only be reached by adding height speakers as defined by the Auro-3D format.
S&V: Why Auriga?
WVB: I was always intrigued by the magic of the universe. I had already named my company Galaxy Studios in 1982 and I wanted to bring the names of star constellations to our devices because they are based on an audio format representing the three-dimensional space around us. Auriga is a special star constellation and I chose that name for the first AV receiver with true 3D Sound capabilities.
S&V: Can you run through the possible channel/speaker layouts?
WVB: Auro-3D has scalable true 3D sound formats for different size rooms. For a smaller home cinema, Auro 9.1 is the most efficient system with height channels in front and around the listener, and it is backward compatible with 5.1. This compatibility is the basic idea behind all Auro-3D formats. Having that “vertical stereo field” between ear-level and Auro-3D’s unique height layer all around the listener creates the most immersive experience.
For larger rooms, we add a center height channel and a top (overhead) layer directly above the listeners, which results in Auro 11.1. I designed this format especially for the theatrical world and it has been embraced by our partner Barco, the worldwide leader in digital cinema projectors. The Auro 13.1 format is the same but based on an existing 7.1 surround system.
Another difference with Dolby Atmos is that our speaker layout in theaters is based on the existing 5.1 and 7.1 surround standards while Dolby Atmos is not. The distance between speakers is smaller and they are all directed to a reference position in the room, which creates more clustering and phasing effects. Last but not least, Dolby Atmos surround speakers are elevated more than the 5.1 or 7.1 surround standard, which doesn’t allow vertical precision of ear-level sounds, which is where most sounds in nature occur. This is not the case with the Auro-3D, which can playback the 5.1 and 7.1 tracks as defined by the standards used in theaters worldwide as well the ITU standard for home applications.
S&V: How many Auro-3D movies on Blu-ray do you anticipate by the end of 2014?
WVB: The number of Auro-3D films coming out on Blu-ray before the end of the year is not yet defined but it will be an impressive list. The consumer market is also now demanding more titles, which will help bring more Auro-3D movies to the home market.
But Auro-3D is not only about films—music is very important as well. Auro-3D is a mixing format as well as a native recording format, which Dolby Atmos is not. We have developed a range of professional audio production tools and are working closely with the industry to release music titles. Several labels will announce Auro-3D content within the next few weeks. Blu-ray is an ideal format for high-resolution audio encoded in Auro-3D.
S&V: Will Auriga be available in U.S. retail stores?
WVB: We are currently in the process of executing agreements with U.S. distribution chains to bring the Auriga into people’s homes. Right now, you can order directly through Auro Technologies or email us at [url=mailto:%[email protected]][email protected][/url].
auro-technologies.com
Clarification: After our publication of this story online and in the October issue of Sound & Vision magazine, Dolby Labs contacted us to clarify what they saw as inaccurate statements by the interviewee in his description of its Atmos technology. The company supplied the following information:
- Dolby Atmos is currently supported for Blu-ray through the Dolby TrueHD codec, a lossless format that is equivalent to uncompressed PCM sound quality upon playback. The lossy codec Dolby Digital Plus supports Atmos for streaming and broadcast applications, and has been updated to carry Atmos soundtracks without compromising spatial information.
- Existing Blu-ray players meeting current Blu-ray specifications can pass the Dolby Atmos bitstream with no upgrades required, though Dolby always recommends updating to the manufacturer’s latest firmware.
- The channel-based bed component of Dolby Atmos as used in theaters is based on the standard 7.1 surround configuration. Two additional height bed channels are added for a total of 9.1 bed channels. Dolby Atmos then adds up to 64 additional speakers to reproduce up to 118 placed sound objects in addition to the 9.1 bed channels to achieve fully immersive sound.
- Dolby Atmos and the Dolby Atmos production tools are equally applicable to film and music productions.
本帖最后由 kenlabs 于 22-10-2014 06:31 PM 编辑
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楼主 |
发表于 23-10-2014 12:57 AM
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kenlabs 发表于 22-10-2014 09:58 PM
鬼佬呢排好長進喎﹗唔錯唔錯~ 又多部Auro-3D前級﹗
Full Immersion: Auro-3D Auriga Home Theater ...
你考验我的英文咩。我忍,我忍,我再忍
等到集齐杜比“啊魔屎” Aura-3D,DTS-UHD 三大新音效。
马纸1皮野有找的日系AV AMP 推出后才进货。日本仔加油!
期待Yamaha A-3050
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发表于 25-10-2014 10:17 PM
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打倒日本仔 !鬼佬大大碌赢晒!
TRINNOV旗舰32声道AV前级ALTITUDE 32 民用的AV系统最多可以支持多少声道?5声道、7声道、10声道...?是32声道!法国TRINNOV宣布推出支持AURO 3D和DOLBY ATMOS杜比全景声的32声道解码家庭影院前级ALTITUDE 32,配备先进的校正系统,32声道全平衡模拟音频解码输出及对应的超低音输出,最大化利用这一具有突破性的格式所实现的无以伦比的空间分辨率。支持以太网、无线网络连接,结合TRINNOV独家开发的视频、音频优化系统,为用家提供顶级影院的解码输出。配备专门开发的软件系统,可以方便用家对每个独立声道调节,实现完美的3D音场重现。价格定位于顶级市场。
本帖最后由 kenlabs 于 25-10-2014 06:54 PM 编辑
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楼主 |
发表于 26-10-2014 02:03 PM
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kenlabs 发表于 25-10-2014 10:17 PM
打倒日本仔 !鬼佬大大碌赢晒!
TRINNOV旗舰32声道AV前级ALTITUDE 32 民用的AV系 ...
【价格定位于顶级市场】
这个是致命伤,日本仔快点加油啊
又一部靓机,不属于我这个穷人家的玩意
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发表于 26-10-2014 09:23 PM
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Classe驾势Sigma SSP/Amp2/Amp5全新音响
加拿大Classé驾势音响宣布推出Sigma系列全新器材,新的Sigma系列包括Sigma SSP环绕声处理器、Sigma Amp2立体声放大器和Sigma AMP5五通道放大器,Classe该新Sigma系列大量运用了顶级音响精华技术,为用家提供高性价比的选择,面向高级音响市场。
Sigma SSP环绕声处理器除了提供专业级高性能的多通道音频/视频处理系统外,还装载有高品质的全平衡立体声前置放大器,同时具备USB和以太网连接功能,方便高清音乐文件的解码播放。Classe Sigma SSP还支持插卡升级功能,例如可以选购配对推出的唱头放大插卡...用家可以根据自己的需要选择不同的升级插卡,让SSP成为真正的多功能HIFI前置放大器/AV多声道处理器。
Classe同期推出的Sigma Amp2立体声放大器和Sigma AMP5五通道放大器,基于21hifi曾经介绍过的Delta CA-D200的数码功率放大输出级,配合全新的线路设计优化和高效率高性能开关电源模块、以及专门开发的全新DSP优化系统、线性相位滤波器的输出,配合全新设计的数码功率放大组件,让Sigma所装载的该D类放大组件的延时时间达到惊人的低于3纳秒!从而使Sigma功率放大输出具有更佳的线性和更低的失真,进一步提高了放大器的声音表现,具有宽而深的音场表现和扩展的高频率响应,可以让音乐细节更充分表现,以获得优秀的音乐声音表现。
Sigma AMP2和Sigma AMP5在电源模块方面,采用了全新设计的功能强大和先进的开关电源,配合新改进的PFC功率因数校正拓扑结构,大幅降低了内部总谐波失真,并提高SMPS的效率,为Sigma AMP2和Sigma AMP5提供高驱动的清洁、稳定、高效率的电源供应。Sigma AMP2和Sigma AMP5分别提供200W/8欧x2、200W/8欧x5的额定功率放大输出,能负载任何扬声器的推动需求。
本帖最后由 kenlabs 于 26-10-2014 05:55 PM 编辑
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发表于 26-10-2014 10:52 PM
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发表于 27-10-2014 05:31 PM
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热血江湖 发表于 26-10-2014 07:22 PM
睇落好似好勁,不過未親自摸過部機唔敢講有幾勁秋。
我呢個大鄉里第一次聽呢個品牌佢曾 ...
B&W 喇叭绝配,都好出名下。
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发表于 30-10-2014 12:56 AM
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发表于 30-10-2014 09:19 AM
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发表于 30-10-2014 03:58 PM
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发表于 30-10-2014 06:01 PM
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大家好123 发表于 30-10-2014 12:28 PM
表面功能有点不同。有那几个部分不太一样
看内涵这东西,我这个初哥就看不懂了,只知道最贵那 ...
黑胶PHONO输入方面。
至于是对声音有如何改善,我就不晓得了。
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发表于 31-10-2014 06:09 PM
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kenlabs 发表于 20-9-2014 09:27 PM
虽然我没亲耳听过,但是CLASS A 30W真的有点小。
个人认为...
初学者有个不太明白的问题要请教大哥你了。功率的问题
以座地式喇叭来做例子,听歌时一般是使用多少瓦功率?
在网上看到BMC AMP CS2 的文章。当中一段:
作为参考喇叭使用的猛牌GX300变身为超大型的喇叭。
此时,我观看表头,仅仅使用了本机那200瓦功率的十几瓦功率而已。
本机的强大驱动力令我瞠目结舌。人声毫无大功率功放的粗声,
相反,非常细腻。播放2.8MHZ的古典录音时,一举突破声场的制约
http://blog.sina.com.cn/s/blog_40f078a90102uy1l.html
这是否意味着使用Class A的30W/ch 8-ohm 也足够应付?
BMC AMP CS2 是Class AB 还是Class D 产品?
听朋友说Int Amp 无需太过看重功率输出的大小。重点是机内那个(牛)
如何分辨好牛和坏牛?我只懂贵牛 = 好牛
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