STUSSY - 流行亦是经典 !!!(更新）

kenZt

好整齐哦。。。。


版主。。。。。升精！！！

small_fish18

怎么你跑来这里放“毒”啊？？？
找些AF 1 的资料来吧。。。
25th 了阿。。。

玉勋

英文版介绍


The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.  Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin' a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.
The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.
" It ain't where ya from, its where ya at……”

玉勋

原帖由 small_fish18 于 8-2-2007 03:06 PM 发表
怎么你跑来这里放“毒”啊？？？
找些AF 1 的资料来吧。。。
25th 了阿。。。

racun racun嘛！！！哈哈！！

玉勋

HIT-
Born in 1971 in Tokyo. Moved to the UK in 1992 and worked at Cuts Soho. Started work for G5 in 1995. A designer for one of the world’s leading underground streetwear labels - the UK offshoot of Tokyo’s GoodEnough. Her graphics have also been used by the labels Gimme5, Undercover, aNYthing, Nike, Mad Hectic ,Let it ride and A Bathing Ape, and she is known for her all-over t-shirt prints.

玉勋

COMMISSARY
-COMMISSARY // I:M-
No one embodies the true meaning of street wear, with all its contradictions and many different facets more than Andrew Lee and his brand invisible:man. Fact is, street wear is impossible to create or to learn at a college. It is a manifestation of person’s lifestyle, in a very peculiar time, which has spawned an unprecedented multi- faceted sub-culture, which is nearly impossible to project in its entirety. Well, almost. Andrew, through his label invisible:man, has managed, to not only represent this amazing sub-culture, but also lead and shape it into which no one has been able to do so before him.
Be it through his clothing collections that not only have achieved cult status in Tokyo, New York, London, L.A. and Berlin but also through his omnipotent reach and influence as a freelance designer for brands such as Stussy, Neighborhood, the Japanese skateboard company T-19, Real Mad Hectic, Kinetics, or global footwear companies such as ès and Madfoot. Additionally, his work, is being recognized by the couture world, thanks to his attention to detail and exceptionally high standards in regards to quality as well as his ability to not only predict trends, but to set them. Andrew sets the standards which the world of fashion, design and life style try to follow, but by the time they get to his level he is already way ahead of everyone else.
Upon moving to Califoria, Andrew has opend his Commissary shops, in San Diego and Costa Mesa, Stocking his friends and families brands...
Bio written by: Steven Vogel.

玉勋

aNYthing
-AARON BANDAROFF
-aka “A-Ron The Downtown Don”
Founder, aNYthing From the highest highs to the lowest lows, a New York Thing can be anything, and no one knows this better than Aaron Bondaroff who goes by the moniker A-Ron the Downtown Don, founder of the New York City-based creative collective aNYthing.
It’s been an exciting ride for A-Ron since he was a 15 year old high school dropout in 1992. While his first introduction to the streetwear scene was getting caught stealing at the legendary Union boutique, he soon found himself entrenched in a world of downtown kids who would become his extended family and inspiration for the future.
In 1994 he captured the attention of James Jebbia, founder of New York’s most exclusive skate label Supreme, and was hired to work in the newly-opened Lafayette Street retail flagship of the insider-y brand. From shop boy to marketing guru, to creative consultant and public face, Bondaroff climbed the ranks quickly and learned the ropes of what could surely be dubbed “organic branding.” For six years, Bondaroff curated photo shoots, merchandised collections, occasionally modeled and drew upon the talent of creative friends like photographer Ryan McGinley or artist Dan Colen for the benefit of the Supreme brand. In the office or in the shop, Bondaroff naturally made moves that kept Supreme in demand for six years.
Networking – that intuitive, enigmatic skill that combines social grace, a charming like ability, an inquisitive nature and underlying love of humanity – comes easily to Bondaroff. His mixed (Puerto Rican and Brooklyn Jewish) background, a liberal and open upbringing and his purely native New Yorker high tolerance for both different strokes and different folks, have granted Bondaroff a healthy does of magnetism coupled with a genuine interest in alternative perspectives. His post at Supreme allowed him easy access to a mixed bag cast of downtown characters – skaters, graff heads, weirdoes, painters, club kids, nerds, lesbians, poets, thugs and everything in between. Their cumulative energy epitomized the oft talked about energy of New York City, and thus became Bondaroff’s passion.
Inspired by the way the city came together as a unified force in the days after the monumental and horrific events that took place on 9/11/01, Bondaroff founded the brand aNYthing – his personal vision for the future distilled from his vast social circle and his love for the big city. It began with T-Shirts, but has become a social contagion. There is the aNYthing line of clothing that is graphically inspired by the iconography of local sports teams, advertisements and other essentially NYC eye candy, the aNYthing retail shop on Hester Street, deep in the bowels of downtown at a symbolic crossroads of ethnic enclaves and the aNYthing record label, made up of diverse talents and rising stars from the city’s underground. Each arm of the aNYthing brand is an expression of a new bohemia, a modern counterculture made up of misfits and dreamers all stamped with approval by A-Ron – the pied piper, the connector, or as he is called, the Downtown Don.

玉勋

Ghost-
Cousin Frank, A.K.A. GHOST, was born in the Bronx in the mid 60’s. He turned to the world of graffiti writing on walls to release aggression and to survive. He took to the tunnels and quickly learned how to navigate them well and even thrived there. Among other writers he quickly gained a reputation and became known for his “don’t give a f*ck attitude” and for his tags and throw-ups which were everywhere, especially on trains. He also became recognized for his unique style and color schemes, as he began to paint full size pieces with crazy undulating lines and a funky look (he calls it his Bugaloo style). Unlike other writers he rarely planned what he was going to create, taking chances with both what and where he was going to write.
Those familiar with graffiti history, call him one of the “die hards.” For his extreme attitude and relentless ambition to bomb trains – which he believes is the place where graffiti has the truest meaning. Because of this belief, and because Cousin Frank views his roots in graffiti as a matter of survival, he has never been comfortable with transferring what he did on the streets and trains onto canvas or into galleries. The development of his drawing style which bears the influence of his piecing style has allowed him to make a transition between both worlds. His black and white highly detailed pen and ink drawing style shares the same risky spontaneity of his pieces. Both possess the same distinctive undulating linear style with intricate patterning and fantasy dreamscape look. Here Cousin Frank also starts with no preconceived ideas, effecting surrealistic automatist drawing practices, as well as other surrealistic imagery. There is little room for error in his drawing technique. Just as there wasn’t in his bombing days. These constraints have been balanced out by the strange, almost playful humor of the artist’s characters, by his freaky sensibility, which he sums up as “burnt.”
Cousin Frank’s newer paintings fuse some of those anthropomorphic fantasy characters of his drawings with the vibrant colors that his pieces are known for. These works combine the in-your-face energy and exteriority of his throw ups, within the twisted fantastical interior workings of the artist unconscious.

玉勋

-Eine-
Despite the name, Eine is from a small town in Kent and is not actually German. He quit his high powered job in the city to become a career graffiti writer. Eine specializes in massive workings of letters across shop fronts and his full name in paint all over the east end of London.

玉勋

Pushead-
Once you get over the mispronunciation or misspelling of the name... it’s PUSHEAD. No cats, no doors to pull, just the oozing type, know what I mean?
Pushead is currently celebrating the 25th anniversary of the nomme de plume. From roots that began in Boise, Idaho, where iconic classics such as the Misfits ‘Evileye’ and the Exploited ‘Mohican Skull’ were created, to the double decade home stand in San Francisco, where it all began to gel. Metallica, going on 20 years of merch with the created Damaged Skull, to Motley Crue, Corrosion of Conformity, Prong, Cocobat, Kylesa, and even the infamous Dr. Octagon cover are just the tip of the iceberg. A widely recognized part of the skateboard and hardcore punk world, with graphics for Zorlac, Thrasher (where the cult following of the ‘Puszone’ grew), Conspiracy, and the list goes on. Record labels, clothing companies, merchandise, toys, consultant, vocalist / songwriter, and not to mention those endless hours of scratching away on white paper, which seems to be what most people know Pushead for. Somewhere, somehow, if you did or didn’t know, a Pushead piece has pass by you sometime. Everything else is just a name game.

玉勋

Ease-
Born in Miami into a family of Cuban exiles, José Parla moved to Puerto Rico at a very early age before returning to Miami again when he was nine. He currently lives and works in New York, and only recently reflective of the wanderings of today’s urban populations. In the context of these migrations and upheavals, José Parla’s work attempts to extract and methods of architectural construction: cement, wood, vinyl as well as those of traditional art like paper, paint, powder dye, wax, and ink. Yet, because these fragments are inflected by the memories and experience of the artist, he considers them to be paintings in sense that is probably truer that one that refers merely to the physical presence of pigments and oil. Parla describes the objects of his method as segmented realities or memory documents. Each bears the name of the location or experience from which it draws its source.
José Parla lives and works in Brooklyn, NY. He was awarded the Francis Mc Common Scholarship to the Savannah College of Art & Design, Georgia in 1989. He was exhibited his work in various group and solo shows in Miami, Atlanta, New York, Los Angeles, Paris and Tokyo. His work is featured in the collections of Agnes B., Tom Ford, Katy Barker, and has been published in The Miami Herald, Atlanta Journal Constitution, The Village Voice, Tokion, Rolling Stone, Another Magazine, Dazed & Confused, The Fader, Relax magazine in Japan and Refill magazine in Australia.

玉勋

Delta-
(Boris Tellegen) is a visual artist who works primarily in the field of graffiti painting. In his visually spectacular work, Delta significantly transforms both the traditional presentation mode of visual art, as well as the genre of graffiti painting itself. He introduces an alien and idiosyncratic aesthetic into graffiti painting that escapes the common logo-like word ID’s that make up most of graffiti production. Simultaneously he significantly transforms the domain of visual art by introducing an abstract and highly architectural style of painting, in a literal sense, to the street, and to the often illicit context of graffiti and street painting.

玉勋

SK8THING-
Since the early 90’s Skatething has been a significant design and direction influence in Tokyo’s independent and underground fashion and cultural scene. Never to be constrained by medium or genre Skatething’s creativity has found myriad outlets, among them his work in Asuka-plublished magazine “A Monster Party of Tears”, sleeve art for Kan Takagi album “Warrior” and Youth’s “Suicide”, and his picture work, J.O.Y “The Freedom of Space”and “Cobra A Mansion / A Marionette Show” are personal highlights. Skatething’s current passion is the Japanese mobile phone site

“ The End.”

玉勋

TODD JAMES (REAS)-
Todd James is an internationally known artist and designer who spent the bulk of his childhood and adolescence watching cartoons, eating cereal, and writing graffiti. Through his work on NYC’s subway trains, as REAS, he mastered the practical challenges of good design at an early age. James’s commercial works include logos for clients such as the Beastie Boys, The Source, Eminem, Mobb Deep, and Redman, and remain some of rap music’s most enduring icons. As the Puppet Designer and as a Production Designer on Comedy Central’s hit show Crank Yankers, James’s singular aesthetic sensibility was introduced to a television audience with great success. On the fine art side, work by James has been shown at the 2000 Venice Biennale, the Institute of Contemporary Art in Philadelphia, the Tate Museum in Liverpool, and at Dietch Projects in NYC. Some recent paintings and his animated video installation, Beloved Fiend, are now traveling in the worldwide Beautiful Losers museum tour. James currently divides his time between Los Angeles, where he is a co-creator and executive producer of Cartoon Network’s Minoriteam, and New York, which is homebase for his company, REAS International.

玉勋

KEGR-
began painting at the age of 16. Since then he has been working under many different aliases, teasing people and other graffiti writers, as well as learning new experiences along the way. Between 1994-2000 his main artistic concentration was trains, but has since moved on to trucks driving through the city streets. Throughout his travels he has done a lot of painting, biking and stealing.

玉勋

-Jim Phillips-
is best known for skateboard, surf and rock art. Born 1944, he lived mostly in Santa Cruz, Ca. His first published art was in Surfer Quarterly, and his work was in many surfing and other publications since. Jim’s earliest jobs was working in surfboard fiberglass. He progressed to applying art on surfboards, and developed new and different ways to do it. After attending California College of Arts & Crafts, in Oakland, Ca. in 65 and 66, he began a free-lance graphic service specializing in rock posters and other forms of advertising. From the urethane revolution in the mid-seventies, to 1990, he was art director for NHS/Santa Cruz Skateboards, creating hundreds of skateboard designs, including the Screaming Hand. Quoted by Thrasher Magazine, it’s “One of the most recognizable skateboard icons in the world”. Phillips created graphics for many of the industries top skateboarders, like Hosoi, Natas, Roskopp and many other pro skateboarders. A book of his work, Surf Skate & Rock Art of Jim Phillips is available at Amazon.com. Look for his soon-to-be released Rock Posters of Jim Phillips, also from Schiffer books, and the Skateboard Art of Jim Phillips, which is scheduled for 2007. Jim’s website is www.jimphillips.com... click on SKATEBOARDS!

玉勋

Michael Leon-
co-created the skate/lifestyle brands Commonwealth Stacks and Rasa Libre and is one of the most influential characters in the skate & design community. He art directed the Fourstar Clothing line and has contributed designs to Stussy, DC, Arkitip, and Virgin Records among others. Michael’s artwork has been shown in Europe, Canada, and Japan, as well as recent solo exhibitions in the US. He is currently working as an art director at Nike in Beaverton, Oregon.

kenZt

原帖由 玉勋 于 9-2-2007 02:13 AM 发表


KEGR-
began painting at the age of 16. Since then he has been working under many different aliases, teasing people and other graffi ...

原帖由 玉勋 于 9-2-2007 02:19 AM 发表


Michael Leon-
co-created the skate/lifestyle brands Commonwealth Stacks and Rasa Libre and is one of the most influential characters  ...

这两件我超爱的。。。

kenZt

对了。。。现在showroom有sale吗？？？



不懂过了新年还有吗。。。。。


因为新年后。。。才有钱啊！！！

pp:

原帖由 kenZt 于 11-2-2007 10:30 PM 发表
对了。。。现在showroom有sale吗？？？



不懂过了新年还有吗。。。。。


因为新年后。。。才有钱啊！！！

假如你想要 michael leon哪件我想应该是没sale拉...
喜欢的东西就要快手一点..

[ 本帖最后由 pp: 于 12-2-2007 12:48 AM 编辑 ]